The Last King of Scotland (2006)

Over the years genres of film seem to have gone through phases of popularity. From the science fiction of the eighties, courtroom drama?¢‚Ǩ‚Ñ¢s of the nineties to the war flicks of the nougties there has always been one genre that seems to be milked until the last sour dribbles within each time frame. In recent years however the proverbial milk is being taken from the udder of ?¢‚Ǩ?ìSnuff?¢‚Ǩ¬ù films. The more traditional horror films of the past have been succeeded by a torrent of films such as ?¢‚Ǩ?ìSaw?¢‚Ǩ¬ù and ?¢‚Ǩ?ìHostel?¢‚Ǩ¬ù dedicated to documenting the graphic and horrifying demise of terrified teens in a variety of increasingly gruesome ways. These films have sadly received a decent backing from critics and viewers alike who puzzlingly seem to buy into the token of a back story the antagonist uses as their reasoning for carrying out their horrific pursuits. It seems the more traditional techniques and themes used to evoke terror in the viewers have been sadly dropped by the wayside. The earliest of horror films used a concoction of suspense, gothic imagery and implied brutality to trigger the viewer?¢‚Ǩ‚Ñ¢s imagination into assuming the worst, in the process leaving them terrified. When watching The Last King of Scotland I was finally given a reminder that these techniques have not been forgotten. The film charts the story of Nicolas Garrigan (James McAvoy), a young and charismatic Scottish doctor, who moves to Uganda looking for adventure, but rapidly winds up the newly appointed president Idi Amin?¢‚Ǩ‚Ñ¢s (Forest Whitaker) personal physician, with all the side effects. Although Garrigan is followed throughout, this is just the ?¢‚Ǩ?ìMcGuffin?¢‚Ǩ¬ù. This is a film dedicated to Amin. Director Kevin Macdonald turns Forest Whitaker from an underrated Hollywood b-lister who rarely played anything other than a wholly likeable character, into a truly terrifying tyrant. Amin was an inspiring leader capable of great speeches as is shown in the film, but it is the other forms of persuasion displayed are far more interesting. Whitaker portrays a manipulative and violent leader who would stop at nothing to carry out his ever changing wishes. Despite all his charm he is an immature leader who puts his pride above all else, as is backed up by Garrigans cry, ?¢‚Ǩ?ìYou're a child. That's what makes you so ****ing scary!?¢‚Ǩ¬ù This is the films strong suit. In Whitaker and McAvoy you have two leading actors who are totally convincing in their playing of totally convincing roles. The realism of the film is so extreme it is easy to become immersed in the plot and genuinely fearful of Amin. Whitaker just becomes Amin in every way, his emotions simply feel real. When the premium talent of the two main characters is backed up by top notch support staff and a brilliant soundtrack and script you have a genuinely amazing film. In terms of immersion there are few films that will capture your attention like this one, and the performance of Whitaker is simply awe inspiring. I urge you to go into this film with an open mind and try to hang on to every word, as they are all fantastic. This is not a casual film, it creates a world you will be sucked into for its duration, but the images included will live with you for a long time to come.